It’s a SpongeBob Christmas! (Season 8, Episode 23)
Original Airdate: November 23 2012*
Episode 335 in standard order, Episode 348 in airing order, Episode 347 in order of general release
*released on DVD November 6 2012, premiered on CBS first, later Nickelodeon on December 6 2012
Plot: Plankton makes everyone a jerk on Christmas Eve using fruitcake laced with “Jerktonium”
Written by Luke Brookshier, Marc Ceccarelli, Derek Iversen and Mr Lawrence
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Title Card Music: Magic Holiday Morning
As far as Post-Movie specials go, it doesn’t get much better than this. As one of the last major events in this era of the show, you wouldn’t expect anything that extravagant, but just a few seconds of footage are enough to make anyone’s head turn around. Being the successor to Christmas Who? isn’t easy, given just how well it introduced Christmas to Bikini Bottom. The fact that this special ranks among people’s all-time favourite episodes says something. There’s some serious debate over whether it’s better than the original though, because although that one had more heart, this one has far more ambition in its animation and scope. Care to see which one completes all the scenery?
At last, Patchy’s back in action, and he’s far more tolerable than in the last special he was a part of. It’s the first time he’s animated, and I think that’s what makes him so great in this. You can exaggerate the guy any further without flat-out making him a cartoon character. It helps that his segments are rather funny, focusing on his campy comedy more than some story about him being this wierdo manchild. As for what little there is of the story, he and Potty are travelling to the North Pole to visit Santa. It’s rather basic, but they manage to go places and make each cut back to them unique. Thank Neptune that the cuts are edited logically here, and there are just 4, clocking in at about a minute each.
Each of them sees them get a little closer to their destination, with some comical inconveniences along the way. There’s a literal fork in the road that cuts into a wheel and spins their mail van out of control, then they’re forced to fend for themselves in the wilderness, going through the old “picture each other as food” gag. The last vignette involes Patchy thinking he’s found Santa’s workshop and sharing his Christmas wish to meet SpongeBob SquarePants...before discovering he’s in a cave and is about to get eaten by a polar bear. His whole story is rather crazy, and it makes sense to have it be animated like the rest of the episode. It’s honestly one of my favourite set of skits from him, and I’m unsure why they weren’t included on the CBS premiere.
Now to talk about SpongeBob’s story, and it’s fantastically cheesy. It starts around the Christmas holidays, with SpongeBob singing a number about how much he loves the holiday spirit. I’ll bring up the animation again and again in this review, but this opening does a good job of getting you accustomed to it. It seems downright surreal at first, but with a nice song, it eases you into the style. Not only that, but SpongeBob goes to several locations, such as around Conch Street, Sandy’s treedome and the Krusty Krab, to make the world of Bikini Bottom a little more familiar. It’s cheerful, upbeat, and that’s all I’d ask for in an opening to a Christmas special, just getting that rush of joy out there.
Everything seems all fine and dandy until Plankton concludes the song, hating Christmas because Santa keeps giving him coal. Given his main job is being a thief, it’s no wonder he’s on the naughty list. He has a plan though, to make everyone else a jerk so he looks nice in comparison, and he’s got the right mineral for the job- “jerktonium”. It’s apparently a very rare element on the periodic table, which Plankton slaps a square of on, which is code for “completely fictional element”. It’s also something so mindless that it works in SpongeBob from a joke standpoint, something physical that makes you more hostile. If it isn’t related to or powered by Android phones, I don’t know what else.
Anyway, he sprinkles it onto fruitcake and plans to sell it to everyone in town. Given how the treat was comically bashed back in Christmas Who?, with everyone in town only pretending to like fruitcake, I guess they changed the ingredients up to make it more tolerable, especially underwater. He heads out to the streets in a fruitcake-shaped van and gets SpongeBob to be his first customer. SpongeBob isn’t that affected by the fruitcake, and Plankton ends up feeding him tons of it in the hopes he’ll become a jerk, which doesn’t happen. I like this scene, because it highlights what Kenny and Lawrence want the dynamic between SpongeBob and Plankton to be like. One’s always unintentionally thwarting the other’s schemes due to his good nature, which was the kind of thing Hillenburg wanted, and this whole fruitcake-feeding scene feels like something from very early Season 1, it’s just that in-line with the show and its principles.
After launching a baker’s dozen fruitcake into SpongeBob’s mouth with him showing no side effects, Plankton gives up and allows SpongeBob to travel around town and give others the fruitcake. However, everyone else instantly becomes meaner upon taking a bite, which leads to some good instant hatred-type humour. You get some carollers arguing over what song they should sing, and a parade ruined by SpongeBob’s presence. Once again, it’s the sort of thing Hillenburg wanted his show to be about, and it’s great to see that exchange function in a Christmas special. It helps that I really love the joke of a Santa guy turning on a kid asking for stuff, by saying he should work for those things.
With SpongeBob accidentallt spreading holiday dread and Plankton’s scheme being a success, he goes along with his new Plan B. Since SpongeBob wasn’t affected because he’s too pure for this world, Plankton builds a silver robot duplicate of him to cause mayhem, and ensure the absorbent oddball’s place on the naughty list. I like this “toybot” idea, because of how destructive it is and how it proves that even SpongeBob’s not safe from having his Christmas ruined, but I wish he was given more attention. He’s just in this introductory scene, annoying Squidward as the normal SpongeBob would, and in the climax, though you could connect the dots and assume he was being a bad egg offscreen while SpongeBob stayed a good noodle.
The next day, on Christmas Eve, SpongeBob wakes up to find his neighbourhood even more hostile than usual. Patrick’s plan to trap Santa has gotten more vicious, with him building a tiger den for him, and Squidward is still being Squidward, I guess. SpongeBob assumes it’s the holiday jitters, but when he goes over to see Sandy, they discover that the root of all the meanness in Bikini Bottom lately was the fruitcake. Sandy then discovers what the audience knows, that SpongeBob got the fruitcake from Plankton, which was laced with jerktonium, and they find out that the cure can be found in a song. SpongeBob mouths a few notes of it, and Sanddy returns to normal. It’s that good old Christmas special logic that works to your emotions’ advantage. You want to see all the characters happy again, so you’ll accept that the resolution can be found in a song. It helps that it’s a darn good song aswell.
Things seem to go well after this, with SpongeBob curing everyone in town of their bad attitudes, but it’s too late, as Santa comes tonight tonight, voiced by John Goodman, and alerts the town that only Plankton’s landed on his nice list, and gets his Christmas wish, the Krabby Patty secret formula. What could possibly be done to rectify this climax and return everything to normal? SpongeBob battling his robot duplicate, who’s landed him on the naughty list and is still burning and breaking things. They have a battle of epic proportions, that’s ended with the robot exploding from a bunch of fruitcake. It feels like something from Battle for Bikini Bottom, with just how silly the combat and situation are. With that, SpongeBob’s name is cleared, Santa revokes Plankton’s gift after finding out that he created the toybot, and leaves wishing Bikini Bottom a Merry Christmas. It’s all a rather random ending, and I don’t like elfish Santa as much as the strange live-action one from the last special, but it leaves you on a high, happy note.
I was expecting this episode to just be a bunch of holiday fluff, but it’s actually really funny. There are a ton of fantastic jokes like Squidward hanging up Christmas lights that just say “GO AWAY” allow the comedy to further make you familiar with Bikini Bottom. Whenever there’s a character-driven joke, like Mr Krabs throwing Plankton at Santa’s sled, it works well, due to the timing, performance and joy put into every joke. Unlike most other specials, there isn’t some running gag in the SpongeBob segments, each joke feels self-contained, even the ones the focus on a single continuous character.
You know something’s gone right when even the Patchy stuff’s funny. Although not exactly witty, it’s filled with good jokes, like Patchy stealing a mailvan in hopes of getting to Santa quicker, and the way he flies over to what he thinks is Santa in his workshop. Little goofy things like those give the segments a cartoonier feel, which I think is a rare instance of Pre-Sequel writers taking criticism and working around it. Many people don’t like Patchy because his style of comedy can be too awkward for live-action, so testing if he can work as animation was genius, and it paid off big time. If there’s one aspect to the episode’s comedy I don’t like, it’d have to be Patrick and his role. The main joke with him is that he’s trying to capture Santa so it can be Christmas forever, but setting up traps, even before he’s exposed to jerktonium, seems to malicious.
Now here are 2 paragraphs of me just gushing about the animation. Good lord did Screen Novelties go all-out in making it beautiful. In case you’re blind, it’s animated using stip-motion, to bring it closer to the Rankin Bass specials it’s influenced by. It doesn’t take long to get used to with how closely the sets resemble the 2D show, but it has its own feel. Many of the locations are smaller and darker than in the show, like SpongeBob’s pineapple and the Chum Bucket, but that gives them a cozier feeling that contrasts well with the exterior sets. By the way, did anyone else notice that the sand is blue? Sure it could also be snow, but in that case, there’s next to no sand present in the episode. It’s a welcome change that makes the warm colours more striking.
As for the character design, it’s fantastic. Each one looks like a brilliant translation from 2D, with the textures and faces being what you’d imagine them to look like as puppets. It surprises me that, with a reduced range, they remain just as expressive and alive as they do in hand-drawn animation. That shows craftsmanship on Screen Novelties’ behalf. I’ll admit though, I was caught off guard by Patchy’s massive jaw at first, but I eventually got used to it. Real people being animated are best when they’re caricatures after all. If there’s one thing that bugs me though, is that instead of remaking the title sequence here, they chose to crop the Christmas Who? version to widescreen. Personally, I’d rather have old footage letterboxed than cropped for a different aspect ratio, but I understand that it was just for this episode and Season 9 episodes would later show the original intro letterboxed (at least before having it revamped at the very end).
Just like the story, the characters feel different here, but in a great way. SpongeBob loving the holiday and singing about his enthusiasm is a given, and I love how he’s always trying to be happy, even when everyone around him’s turning into a jerk. I guess him being immune to jerktonium is excused in a weak way, considering even children were affected by it. It can be brushed off with the same reason the song makes everyone nice again, Christmas special logic. It feels like the other main character of the special, though in more of a villainous context, is Plankton. It’s not just your typical Grinchy “I hate Christmas” behaviour, as he genuinely wants a gift from Santa and believes in the naught/nice lists. He’s quite fun to be around, and I’m surprised Karen didn’t outshine him. I guess they wanted to keep her actions as basic as possible, since she seemed to be the hardest to animate.
Despite getting hit hard by the jerktonium, Sandy proves herself to be useless even when she’s grumpy, which is nice to see. She care enough about SpongeBob that he’ll help him out, even if she can’t help but be cranky. As for the new Santa Claus they animate, he’s voiced by John Goodman, I’ll give him that. I think the choice to make him an elf wasn’t that great, but I think the voice fits him well. Just imagine a “same voice actor” thread, and put the Big Lebowski and Santa side-by-side, it’s amazing. As for the other characters, they’re fine as comic relief. Squidward, Patrick and Mr Krabs only have bit parts, and Pearl and Mrs Puff only appear in montages, but I’ve seen them enough on the show as it is, and despite being a special, I wouldn’t want this episode to be too bloated.
This special’s one of those musical ones, but in a surprise change of fate, all the songs are good. First there’s “Santa’s got his Eye on Me”, which is mostly festive fluff. It does a good job of giving us insight into how much SpongeBob values the holiday and loves happiness, even if spreading it across 6 characters feels like a bit too much. Then there’s “Hot Fruitcake”, which keeps the “jerkification” scene (don’t take that the wrong way) a little easier to sit through. SpongeBob’s spreading cheer, but things are going wrong, making both the song and the story beats interesting.
Lastly, there’s one of the best songs in SpongeBob history, “Don’t Be a Jerk (It’s Christmas)”. What started as a little novelty song Tom Kenny wrote in 2009 became the feature presentation for this special. All the visuals are warm and filled with love, SpongeBob bouncing around Bikini Bottom making everyone nicer is just a joy, and the lyrics are funny. A problem with SpongeBob’s songs is they’re occasionally too jokey and rely on painful rhymes, but the ones here actually tie into the theme of not being mean (“There’s a sign above the line that says express, that means 10 items or less”). It’s a fantastic song, and proclaims the message loud and clear- the worst kind of Christmas is a mean-spirited one, so let’s try and avoid that.
What a special! Almost everything I can say about it is positive. Even if it weren’t stop-motion animated, I’d still consider it better than Christmas Who?. Let me explain, although that one made you want to give and was filled with more emotion, the ending felt satisfying due to how cynical the rest of the third act was. I can watch It’s a SpongeBob Christmas! the whole way through and have a big, goofy smile on my face, for the story and jokes alone. Keep in mind, this would just be a very close call, but this one has the added advantage of having a unique yet gorgeous art style, which just gets you into the holiday spirit more. Still, they’re fantastic examples of Christmas specials for different reasons. I don’t watch them every December, but after being reminded of how good they are here, I have to change my mind.
Final Verdict:
Spongy 9/10 (not perfect, but still among the best)
Not Normal < It’s a SpongeBob Christmas!
Question of the Day: What’s your favourite song from these specials?
There are five episodes left, so let’s get up and go! And please,
don’t be a jerk.
:sbthumbs:
hippythehippo said:
After all the garbage you had to put up with, IASBC should get a 10/10 right?
Not quite, but it’s the best episode since The Krusty Plate (a gap of 5 years!)