It might be the possibility that the track is actually gone from Carr's collection. Yes, even the tracks' authors might lose their own creations.I think season 11 still has great title card music choices and great music editing in general. But still no HSCV. ;(
It might be the possibility that the track is actually gone from Carr's collection. Yes, even the tracks' authors might lose their own creations.
By the way, there was a post on the blog of Chris Ledesma, the music editor of The Simpsons. He said that the editor and the production company should pay the musicians who don't work on the show for now the big sum of money for every time each track composed by them for past seasons plays out.
So there is the reason why The Blue Hawaiians, Theo Mondle, Ron Wasserman and Pat Irwin's solo compositions aren't used after they left...
what does "HSCV" stand for?Amphitrite said:I think season 11 still has great title card music choices and great music editing in general. But still no HSCV. ;(
Happy Sponge Chase Vibes. One of the best post-movie original tracks, in my opinion.JerryTheSnail said:what does "HSCV" stand for?
That wasn't the only track that returned in that episode; Pepito from Tampico (a) returned after not having been used since Suds(!), while Tabu returned after a shorter hiatus from Karen 2.0 and Epic Tragedy returned after its last use in Gramma's Secret Recipe. (yeah, I sometimes nerd out about this sort of thing, sorry)RomNick said:I was beyond happy to hear "Target" by Hans Ehrlinger in "Grandmum's the Word". Though, sadly, the scene it is used in is not a commercial narrated by Mr. Lawrence.
I wonder if that's why a lot of Steve Marston tracks haven't been used recently; Only one of his tracks has been used since The Fish Bowl.RomNick said:It might be the possibility that the track is actually gone from Carr's collection. Yes, even the tracks' authors might lose their own creations.
By the way, there was a post on the blog of Chris Ledesma, the music editor of The Simpsons. He said that the editor and the production company should pay the musicians who don't work on the show for now the big sum of money for every time each track composed by them for past seasons plays out.
So there is the reason why The Blue Hawaiians, Theo Mondle, Ron Wasserman and Pat Irwin's solo compositions aren't used after they left...
But the possibility of this track being extinct now on Carr's side isn't too far-fetched.thecrad15 said:Yeah I like HSCV to return too.
This episode was the only of Season 9 to credit Marston as the staff composer, by the way.RDSP said:I wonder if that's why a lot of Steve Marston tracks haven't been used recently; Only one of his tracks has been used since The Fish Bowl.
HAPPY BIRTHDAY HARRY!!!!! Can't get enough of his sci-fi ("Lost in the Galaxy", "Desolate Lands") and dramatic ("Break In", "Crazy Mind") music, but I like some of his other stuff too. Too bad APM removed CPM from their catalogue before we could hear more of "Pride and Majesty".RomNick said:
Today is 130 years since the birth of Anthony Lowry, the KPM contributor and the "Screw on the Loose" author.
Also, today is 112 years since the birth of a man who needs no introduction: Harry Lubin.
I mean, he used Pepito from Tampico (a) again in Grandmum's the Word and there was a Hawaiian track (can't remember the name right now) with vocals used in Cave Dwelling Sponge, so...RomNick said:Also, off-topic, but I really wish Carr would start again using tracks with vocals (lyrics, wordless, chant, etc.).